Melvin Van Peebles: Architect of The Black Soundtrack (Originally Published in iRockJazz)
Melvin Van Peebles belongs on the short list of the most innovative filmmakers of the 20th century. The renegade director’s approach to storytelling has made him a true original. His guerilla style quick camera cut approach to his breakout film Sweet Sweetback’s Baadassssss Song laid the groundwork for the sub-genre what would become known as the Blaxploitation films. Movies like Shaft, Superfly, The Mack and a host of others owe a debt of gratitude to Peebles, but not just for the films, but for the music, as well.
Although Quincy Jones deserves the lion share of credit for breaking barriers for Black film scorers in the 1960s, and Curtis Mayfield may have been the most commercially successful Black film scorer of the 1970s, it was Peebles’ intuitive use of music. Music both as a backdrop and as a marketing tool that both initiated a lasting trend of popular Black artists like Mayfield, Isaac Hayes and Marvin Gaye lending their composing pens to these gritty, urban action movies, as well as paying considerable dividends for himself.Sweetback grossed 15 million dollars with a 150,000 dollar budget! The soundtrack of a Black movie went on to become a crucial undertaking for the film and its ability to attract audiences, to the point where in some cases; the music tends to outlast the film itself (i.e. Gaye’s Trouble Man, Bobby Womack’s Across 110th Street and James Brown’s Black Ceasar). Peebles recently spoke with iRockJazz to discuss the role of music in his films.
Read the full article at iRockJazz.com: http://irockjazz.com/2013/04/melvin-van-peebles-architect-of-the-black-soundtrack/